Saturday, June 19, 2010

S02E01 - Rocketship X-M

Plot

A group of astronauts board the Rocketship X-M for the Earth's first manned voyage to the moon. On the way, disaster strikes as the engines malfunction, forcing the crew to reconfigure their fuel balances. Their on-the-fly calculations accidentally end up sending the hapless astronauts to an entirely different place than they had intended, leading to them discovering a horrific past for one of the solar system's planets.


Movie Review

This movie is boring. That word pretty much can sum up the entire film, but since I'd like to make a bit more effort than that, I shall. Still, one cannot deny that most of this film is filled with tedium that would make Project Moonbase proud. Even with the recognizable and entertaining Lloyd Bridges starring, Rocketship X-M fails to tell an engaging story, from beginning to its patently absurd ending.

Likely the biggest contributor to the story's failings is that there isn't much of a story to begin with. In what seems to be a recurring problem with movies on this show, the story is a paper-thin premise stretched well beyond its ability to tell an engaging narrative. Hence, the first half of the film, if not more, fills each scene with padded exposition and faux drama that end up doing nothing to move the story forward. Almost two-thirds of the movie deal with the crew talking to reporters on the ground, the ship taking off, the rocketship breaking down, the crew reconfiguring its fuel, and putting the recalibrated fuel into effect, something that could've been done in a much smaller time frame.

The second half of the film (or is it the final third?) is where the story goes from padded to ridiculous. In an attempt to slap an anti-nuclear war message onto the film, the astronauts miss landing on the moon and instead find themselves on Mars, where they witness an advanced civilization that has become "primitive" due to nuclear war. The idea of a rocketship "missing" the moon and somehow finding themselves on Mars, as well as the heavy-handed moral, is absurd enough that it detracts from the movie's finale, in which the remainder of the ship crash and die upon returning to Earth. The silly final speech by the mission chief doesn't help matters, either.

If there is one positive I can give this film, however, it is its marked attempt at realism. Shot several years before the first moon landing, Rocketship X-M nevertheless does a decent job at portraying space travel. Sure, not all attempts succeed; for example, meteors flying past the rocket make whooshing sounds in airless space, the crew treats its liftoff in the same manner of trying to catch a departing bus, and there's no way to defend the absurdity of the rocket somehow missing the moon and finding Mars. However, the film does deserve some credit for trying to portray varying degrees of gravity, and though the fuel reconfiguration scene is painfully dull, it does show the usefulness of actual scientists.

Unfortunately, the latter scene also demonstrates that familiar monster in films of this era: sexism. One female scientist is part of the crew, and when she and the chief male scientist attempt to recalculate the fuel, the male scientist overrides her calculations. When she objects then apologizes, the male says nonchalantly, "For what, for momentarily being a woman?" This sexism rears its head once again when the woman relays her fears about the fuel mixture, and the male quips about her "woman's intuition." But, in an interesting twist, the sexism is averted when the woman proves to be correct in her fears, although this aversion is far more subtle than the actual display of sexism.

Additionally, the characters are nothing to write home about. Lloyd Bridges seems to be the only one who attempts to give his character anything resembling a personality, and he still ends up being more annoying (though not as annoying as the Texas astronaut whose whole character is predictably defined by his home state). The female scientist does try to be more than the passing love interest, though the film gives her nothing to work with, and the head astronaut/chauvinist is too predictable to be anything more than a given set of tropes. All other characters offer nothing memorable over the course of the film.

Perhaps the final nail in the coffin of Rocketship X-M is this piece of trivia regarding its production: in an effort to beat the delayed picture Destination Moon to theaters, X-M was made over a span of a grand total of 18 days. While it's certainly impressive that they managed to get some semblance of a movie out of those near three weeks, the results are still nothing to crow about and make it an interesting but unmemorable artifact of cinema.


MST3K Review

Wow. Just, wow.

First of all, let's talk about the MST3K show itself. I don't discuss the host segments that occur between the movie because, quite frankly, they're not my cup of tea. I know a lot of people see these host segments as part of the show's charm, and I did see a lot of great segments back in season one. However, for me, the main attraction is and has always been the feature film and its riffs, and that is where I judge an episode's strength. The host segments, if anything, are a bonus for me.

With that said, the show has certainly upgraded from the previous season to season two. A cleaner look, more polished segments, and the introduction (and loss) of a couple characters. One newcomer here is Frank Conniff, who plays TV's Frank and Dr. Forrester's newest assistant. Why? Because Josh Weinstein (Dr. Erhardt) has left the show. And that also means Tom Servo, voiced by Josh, gets a new voice...and it's the familiar (to me) Kevin Murphy. By now I've gotten used to Trace Beaulieu voicing Crow instead of Bill Corbett, but I could never really get used to Josh as Servo. He did nothing wrong - in fact it did the best he ever could - but for some reason Tom's voice was always the most jarring, though this might've had to do with the fact that his jokes often fell flat the most. Kevin, on the other hand, is a much more vibrant voice for Tom, and though this has much to do with my familiarity with Kevin's voice, it is clear to see that he is an improvement over Josh.

And now for the jokes...wow. After watching the relative looseness of the first season, the first episode of season two was like night and day. Gone is the lighthearted and almost sloppy feeling that plagued many season one episodes; replacing it is a rehearsed performance by Joel and the bots that flows much more smoothly. And while Rocketship X-M is not exactly a classic episode in the show, it is a gem compared to season one and contained some strong riffs that really benefited from the more planned performances.

In many ways, this was the perfect means of re-introducing us to MST3K and its new overall look and feel, as well as make us look forward to the next episode in the series.

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